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Lightnin’ Wells

Lightnin’ Wells is an enigma and a wonder. When you hear him, you hear the old Piedmont blues players speaking through him. You hear ragtime, early jazz, old-time banjo songs, harmonica, stories of the road. More than anything, you hear something that’s sincere and real, in a way that precious little music performance is nowadays. There’s no varnish here, just the unvarnished truth expressed through a deep and good-humored soul.” — Paul Brown, American journalist, radio personality and banjo player, 2020.

Tickets are $18 in advance; $20 at the door.
Ticket Commission: A $3 processing fee and NC Sales Tax per ticket
Box Office opens at 7:00pm for this event only.

While masks are still recommended, they are not required, and social distancing is encouraged when possible.
For details on the Carolina Theatre of Greensboro’s health and safety policies please visit our COVID-19 preparedness page.

Mike “Lightnin'” Wells breathes new life into the vintage tunes of the 1920s and depression era America employing various appropriate stringed instruments in a dynamic style which he has developed in over 50 years of performing experience. Raised in eastern North Carolina, Wells learned to play harmonica as a young child and taught himself to play the guitar as he developed a strong interest in traditional blues and folk music. His many years of public performance began in Chapel Hill, N.C. in the early 1970s. During the following decades he has presented his brand of acoustic blues throughout North Carolina, the United States and Europe.

Lightnin’ Wells produced the first commercial recordings of second-generation N.C. blues veterans Big Boy Henry, Algia Mae Hinton and George Higgs. He has traveled and performed extensively with these musicians and has documented their backgrounds and musical histories for future generations. He is also a life-long student and devotee of the pioneering performers in the piedmont blues tradition which once thrived in the Carolinas, including such artists as Blind Boy Fuller, Rev. Gary Davis and Elizabeth Cotton; deceased musicians whose influence seems only to grow with time.

His first solo recording Bull Frog Blues established his blues credentials while his sophomore effort Ragtime Millionaire strengthened his association with the Carolina-piedmont style of blues. His third release Ragged But Right stretched out to explore more facets of American folk music including old-time, country, jazz, ragtime, and early popular music as well as piedmont style blues selections.

The year 2008 saw two new Lightnin’ Wells CD releases. Shake ‘Em on Down was recorded on the west coast of the U.S. and features solo acoustic renditions of piedmont and delta blues with selections from the American old-time country and popular-music catalogs for added variety. Jump Little Children: Old Songs for Young Folks was designed with the younger listener in mind. These remastered home recordings offer a wide variety of American roots music including children’s favorites, blues, folk tunes, old-time music and vaudeville. In 2017, Lightnin’ released O Lightnin’ Where Art Thou?, which was recorded at a state-of-the-art recording studio near Bremen, Germany. It has received outstanding reviews and stands as further testament to his skills as a modern interpreter of the older songs and musical stylings.

Lightnin’ remains an insatiable student and researcher, studying the various forms of American roots music from bygone eras. He plays a number of instruments besides the guitar including the harmonica, ukulele, mandolin and banjo. He has taught blues guitar at most of the leading “Blues Weeks” sponsored by universities and teaching organizations throughout the country. He served for ten years as a board member for the Music Maker Relief Foundation which assists elderly blues and old-time musicians to meet their basic needs and continues to serve this organization in an advisory capacity. He has been included in the North Carolina Arts Council’s Touring Artist Roster program and the American Traditions National Roster through the Southern Arts Federation.

With his experience, knowledge and well-honed performance skills, Lightnin’ Wells has established himself at the forefront of the traditional blues revival. His musical style is personal and energetic yet remains true to the original root form. His goal is to entertain and educate using a variety of sources, influences and techniques to express his dedication, respect and pleasure in presenting this unique American art form. Noted musician and radio personality Paul Brown recently described Lightnin’ Wells’ musical presentation as “something that’s sincere and real, in a way that precious little performance is nowadays.” Another reviewer noted, “Whether you look for to performers for inspiration, education, virtuosity, or sheer entertainment, Lightnin’ Wells delivers all the above, every single time”.

Lightnin’ plays a wider variety of blues and boogie in one evening than most radio stations cover in an entire series” — Rebecca Newton, Triax Magazine

He proved to all that Big Boy Henry’s assessment of him is correct: that is the best white boy in the business doing this type of music. Lightnin’ does it from the heart“. — Ogi Overman, Piedmont Blues Preservation Society Newsletter

Please Note: Fiddle & Bow Membership discounts and vouchers will not be honored for this concert.

Date

Apr 15 2022
Expired!

Time

7:30 pm - 10:00 pm

More Info

Artist's Web Page
The Crown at the Carolina

Location

The Crown at the Carolina
Carolina Theatre, South Greene Street, Greensboro, NC, USA
Website
https://carolinatheatre.com/
Category

Organizer

The Fiddle & Bow Society
Email
[email protected]
Website
https://www.fiddleandbow.org

Other Organizers

Carolina Theatre
Carolina Theatre
Phone
336-333-2605
Website
https://carolinatheatre.com/
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